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    Dating a fender amplifier

    Cord length 8 feet, cord thickness is 0.29 inches (about 9/32" or 7.3mm). The power cord as used in North America only on the Blues Junior.

    Standard NEMA 5-15 plug for North American use at 110-120 Volts AC. EXTRA-LONG 12 ft POWER CORD, 3-WIRE, 18ga, SJT type, .250 TAB ends.

    Does not contain Fender logo, so it may be used on other brands of amps. Screws not included - order screw pack SC-402 separately (takes a pack of 4 screws). Pack of 6 stainless steel chassis mounting screws for Fender reissue "Tweed" series amps. SPEAKER BAFFLE MOUNTING BRONZE SCREWS AND STAINLESS STEEL KEPS NUTS (SET OF 4) FOR Fender TWEED AMPS.

    These screws connect the speaker baffle board to the cabinet on Fender tweed combo amps from the 50s, as well as today's reissue tweed amps such as the Hot Rod Deluxe and 59 Bassman Reissue. Fender 8 ft POWER CORD, 3-WIRE, 18ga, SJT type, .250 TAB ends.

    His particular area of expertise is in Fender amps made from about 1960 through 1967.

    Devin runs Doc's Music in Springfield, Missouri and his interest lies in the woodie and tweed Fender amps made from 1946 through 1960.

    I turned to the Internet to do some more networking which resulted in a major turn of events as I met two individuals who have become instrumental partners in this project: Greg Huntington and Devin Riebe.

    There are a number of resources available online to help you to date your guitar amplifier or bass amp.

    Other things to look for include chasses placed in cabinets from a different year, “doctored” tube charts, non-original control plates (usually reproductions) on silverface amps, original transformer bell ends (they have correct date codes, of course) on non-original transformers, and non-original knobs (either repro or silverface knobs on blackface amps).unusual things can be found such as the empty “Pulse Adjust” hole on the rear of early ’60 brown amps, the “middle” volume control, use of tweed style grill cloth, strange non-documented transitional circuits, and changes in tolex color including the super-rare cream colored “brown” tolex that is found on some late ’60 amps. Given that people may refer to this information seeking specific production quantities of amps they are curious about, it should be pointed out that the serial numbers apply to chassis types, and not specifically to amplifier models.

    Looking at serial numbers next to the ’60 5G5 brown Pro Amp for example, we see numbers ranging from 00001 to 02000, suggesting that there are 2000 of these amplifiers made in ’60.

    Lots of different speakers were used in the blackface and silverface era Fender amps.

    In a BF Vibrolux Reverbs you could have either Jensen, CTS or Oxford, the BF Super Reverbs had Jensen, CTS, Oxford or sometimes JBL, the BF Pro Reverb had Jensen, Oxford or Utah, .

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